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This blog was established by Patrick Hughes (1948 - 2022). More content that Patrick intended to add to the blog has been added by his partner, Glenda Mac Naughton, since his death. Patrick was an avid and critical reader, a member of several book groups over the years, a great lover of music histories and biographies and a community activist and policy analyist and developer. This blog houses his writing across these diverse areas of his interests. It is a way to still engage with his thinking and thoughts and to pay tribute to it.

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Saturday, October 14, 2023

Ferreira, P. G. (2007) The State of the Universe: A primer in modern cosmology. London: Phoenix.

 

Ferreira, P. G. (2007) The State of the Universe: A primer in modern cosmology. London: Phoenix. (An imprint of Orion Books, an Hachette Livre UK company.) (Original, 2006.)

 

Introduction

I am a practising cosmologist. My job is to try to unravel the history and workings of the Universe, using a combination of mathematical tools, observations made with powerful telescopes and, above all, educated guesses. (p. 9)

 

The best we can do is to predict what may happen on earth over a few days. In contrast, our current model of the Universe is remarkably successful. It can describe the whole of the Universe over billions of years, within a much simpler and more elegant framework. (p. 10)

 

1. A mechanical Universe

Cosmology is the science of the origin and evolution of our Universe. … our view of what constitutes ‘the Universe’ has changed over time as a result of the interplay between theoretical prejudices and observational breakthroughs. (p. 13)

Pythagoras (582-496 BC). The earth is at the centre of the universe and the planets, the sun and the moon orbit it in perfect concentric spheres or wheels each at a different speed, creating a cosmos in constant motion and perfect harmony.

Plato (428-348 BC). The Universe consists of concentric spheres rotating at uniform speed within each other. Any mismatch between theory and observation is due to our inability to make accurate measurements, so the only way to build a model of the Universe is through pure reason.

Aristotle (384-322 BC). The Universe consists of 9 transparent concentric spheres spinning around the earth, supported by a set of 46 transparent, nested spheres. Outermost is the unchanging heavens, while the intermediary spheres contained the various planets. This model explained the motion of most of the planets; its failure to explain the remainder was explained through Plato’s mistrust of measurements.

Facing the problems of geocentric models. The Greeks had sufficient data to contradict geocentric models and responded in two ways:

·     Aristarchus (310-230 BC) proposed a heliocentric Universe in which the planets’ orbits moved together and apart at different times. His model was rejected.

·     Ptolemy (85-165 AD) proposed a geocentric Universe, but his model (unlike Aristotle’s) accorded more closely with the observed motions of the planets: the earth wasn’t quite at the centre and the planets moved in eccentric orbits.

Nicolaus Copernicus (1473-1543). The first to formulate a scientifically based heliocentric universe featuring uniform orbits, but including eccentric orbits; and explaining the retrograde motion of the planets as the result of observing them from a moving earth. His De revolutionibus orbium coelestium ('On the Revolutions of the Celestial Spheres') is often regarded as the starting point of modern astronomy and the Scientific Revolution. Greek, Indian and Muslim savants had published heliocentric hypotheses centuries before, his heliocentrism was the first scientific theory of the universe.

 

 

 

Pythagoras (582-496 BC) Greek mathematician and astronomer.

  • The Earth is at the centre of the universe and the Sun, the Moon and the planets orbit it, each at a different speed, in perfect concentric spheres or wheels[1].
  • The spheres are related by the whole-number ratios of pure musical intervals, creating a cosmos in constant motion and in perfect musical harmony - a state described as musica universalis (lit. 'universal music' or 'music of the spheres').

 

Plato (428-348 BC) Greek philosopher.

  • The Universe consists of concentric spheres rotating at uniform speed within each other.
  • Any mismatch between theory and observation is due to our inability to make accurate measurements, so the only way to build a model of the Universe is through pure reason.

 

Aristotle (384-322 BC) Greek philosopher.

  • The Universe consists of 9 transparent concentric spheres spinning around the earth, supported by a set of 46 transparent, nested spheres. Outermost is the unchanging heavens, while the intermediary spheres contained the various planets.
  • This model explained the motion of most of the planets; its failure to explain the remainder was explained through Plato’s mistrust of measurements.

 

Nicolaus Copernicus (1473-1543).

  • Posed the first scientifically based heliocentric universe[2].
  • His De revolutionibus orbium coelestium ('On the Revolutions of the Celestial Spheres') is often regarded as the starting point of modern astronomy and the Scientific Revolution.
  • Greek, Indian and Muslim savants had published heliocentric hypotheses centuries before, his heliocentrism was the first scientific theory of the universe.

 

 



[1] The most thorough and imaginative description of the concept can be found in Dante's Divine Comedy.

[2] It featured uniform orbits, but including eccentric orbits; and explained the retrograde motion of the planets as the result of observing them from a moving earth.

Davies, P. (1990) God and the new physics. London: Penguin. (Original 1983)

 

Davies, P. (1990) God and the new physics. London: Penguin. (Original 1983)

 

Preface.

·       1900 – 1925: the theory of relativity and quantum theory forced physicists to reform their view of reality fundamentally. They now refer to a ‘self-creating universe’ – a cosmos that erupts into existence spontaneously, much as a sub-nuclear particle sometimes appears spontaneously in certain high-energy processes.

·       This book’s foundations are ‘the Big 4 questions of existence’:

‘Why are the laws of nature what they are?

‘Why does the universe consist of the things it does?

‘Who did those things arise?

‘How did the universe achieve its organization?’ (p. viii)

 

1. Science and religion in a changing world

·     For most of human history, people have asked religions fundamental questions of existence (e.g. How was the universe created and how will it end? What is the origin of life and humanity?). Only in the last few centuries has science offered answers to them.

·     Physics is now accommodating ‘mind’ at a time when the life sciences are trying to abolish it. Physicists are rejecting strictly mechanical models of the universe in favour of a view that the mind plays an integral role in all physical events; while biologists – who once privileged the human mind in nature’s hierarchy - are moving towards the materialism characteristic of 19th century physics.

 

2. Genesis

·     ‘This chapter deals with the origin of the universe as a whole.’ (p. 9) (!!)

·     Either the universe has always existed (in some form or another) or it began (in some way or another) at some particular moment.

·     Most contemporary cosmologists believe that the physical universe burst into existence in a ‘Big bang’ some 18 billion years ago. Most of the evidence is encompassed by ‘the most universal law of physics known – the second law of thermodynamics’ (p. 10); this is supplemented by the theories of gravity and of the expanding universe

·     The second law of thermodynamics

-      The universe is steadily becoming more disordered/chaotic/entropic (buildings fall down, landscape is eroded, natural resources depleted).

M. C.: Why are these processes of disorder/chaos/entropy?

-      Phenomena that apparently counter this law do so only if you fail to see the universe as a whole, where an increase of order in one area is always accompanied by a decrease in another. E.g. new buildings are erected … but only by depleting the total stock of energy and of material resources. ‘When a full balance sheet is drawn up, disorder always wins.’ (p. 10), i.e. entropy never decreases.

-      If a system is isolated from its surroundings, its entropy will increase remorselessly until it can increase no further – it will have reached thermodynamic equilibrium. It can be returned to its original state, but only by replacing the depleted energy and resources from another system … which will increase that system’s entropy accordingly.

-      If the universe has a finite stock of order and is moving irreversibly towards disorder (ultimately to thermodynamic equilibrium), then:

a) The universe will end eventually in complete thermodynamic equilibrium (aka ‘heat death’)

b) The universe did not always exist, or it would have reached its end-state (thermodynamic equilibrium) an infinite time ago.

E.g. the earth would have cooled down, the sun would have burnt out.

-      The creation of our solar system is but one event in a continuing process that has occurred hundreds of billions of times in the Milky Way alone, but this continuous ‘birth-life-death’ process isn’t infinite – the material of burnt-out stars can’t be recycled fully, some is lost to black holes and the energy of a star’s creation is dissipated as starlight over aeons.

·     Isaac Newton’s theory of gravity

-      Gravity is a universal force, acting between all material bodies in the universe – each star and each galaxy exerts a gravitational force on every other one.

-      Left to themselves, they would collapse together through gravity. At the sub-cosmos level, gravity is countered by centrifugal force (the planets revolve around the sun; the galaxy rotates); but there is no evidence that the cosmos as a whole rotates, so the present arrangement of the galaxies can’t have existed infinitely.

-      The conundrum has been known since Newton’s time, but wasn’t resolved until the 1920s by Hubble.

·     Edwin Hubble’s theory of the expanding universe

-       A moving light source can stretch or compress light waves emanating from it, just as a moving vehicle stretches the sound waves emanating from it – the Doppler effect.

-       The light from galaxies is distorted in colour – shifted to the red end of the spectrum – suggesting that its source is receding from us at many thousand of miles per second.

-       Distant galaxies are receding faster than closer ones, so the gaps between galaxies are expanding also – i.e. the universe is expanding.

-       Rather than the galaxies moving apart through space, each one’s gravitational pull stretches space, so the universe is expanding without having to expand into some space. (Einstein argued that gravity stretches time and space - the sun’s gravity bends starlight grazing its surface; clocks run faster in a gravity-free environment than on earth.)

·     The ‘big bang’

-       The ‘big bang’ created space (a physicist regards space as an elastic medium, rather than just an emptiness. ‘Nothing’ is ‘no space’, as well as no matter.) and time (as space stretches and shrinks, so does time).

-       Aristotle (3rd century BC) rejected the idea that time was created, because it implied a first event without a cause. Most physicists reject a notion of time flowing or moving in favour of a notion of time as just ‘there’, like space.

-       ‘These bizarre ideas can only be fully grasped by appeal to mathematics. … By employing mathematics as a language, science can describe situations which are completely beyond the power of human beings to imagine. Indeed, most of modern physics falls into this category. Without the abstract description provided by mathematics, physics would never have progressed beyond simple mechanics. … In fact, it may be logically impossible for anyone to be able to correctly visualise certain physical systems, such as atoms, because they contain features that simply do not exist in the world of our experience.’ (p. 18)

-       In the mid-1960s, background cosmic radiation was discovered that is a relic of the big bang; and knowing the temperature of the present radiation, we can compute its value at any epoch (each time a part of the universe doubles in size, its temperature falls by half).

-       Contemporary physicists use particle accelerators to create high-energy collisions that simulate for an instant the conditions at a mere million-millionth of a second after the big bang (when the temperature was a million billion degrees). Consequently, they can model with confidence many of the physical processes (e.g. hydrogen nuclei fusing to form helium and some deuterium) that must have occurred after that first searing moment. (Models predict that the ratio of hydrogen to helium should be 1:3, which is close to the ratio in the contemporary cosmos – indicating that the basic ideas of the big bang are correct.)

·     The ‘solid state’ theory of the universe (Bondi, Gold & Hoyle)

-       The universe is infinite in age and the continual creation of new, low-entropy matter avoids thermodynamic ‘heat death’. Overall, the universe remains the same: as the universe expands and the density of existing matter is decreased, newly-created matter fills the gaps, maintaining a constant density; as galaxies are dispersed, new galaxies are created in the widening void. (In the ‘big bang’ model, the density of galaxies declines steady and the universe evolves in structure and arrangement.)

-       Advances in astronomy disproved any simple version of the theory; and the discovery of cosmic background radiation in 1965 finished it.

 

3. Did God create the universe?

·       Creating matter

-        Pre-20th century, theologians and scientists believed that matter cannot be created (or destroyed) by natural means – only by god. Thus, scientists believed that the universe was eternal, thus avoiding the need for a creation.

-        In 1933, Carl Anderson created matter in the laboratory for the first time, building on theories by Einstein and Dirac. While studying the absorption by metal sheets of cosmic rays (high energy particles from space), he observed Dirac’s antielectron. (Dirac and Anderson shared a Nobel Prize for this prediction and discovery.)

-        Subsequently, the production of electrons and antielectrons (aka ‘positrons’) became common in a range of laboratory processes; and post-1945 the development of subatomic particle accelerators enabled the production of antiprotons and antineutrons. Today, positrons and antiprotons can be made in large quantities and stored; and ‘antimatter’ (antiparticles) is made routinely in physics laboratories.

·     Albert Einstein’s equation E = mc2

-        Expresses the idea that mass has energy and energy has mass. In a sense, mass is ‘locked up’ energy and if it is unlocked, mass will disappear amid a burst of energy. Conversely, if enough energy is concentrated in a spot, it will create matter.

-        The energy of a body’s motion ought to result in an increase in its mass (it appears heavier). At ordinary speeds, the effect is minute, because a little mass is equivalent to enormous amounts of energy; but modern particle accelerators can make electrons and protons travel close to the speed of light, where their masses have been seen to increase dozens of times.

-        Increasing mass increases the weight of existing matter – it doesn’t create matter.

·         Paul Dirac’s equation (not given here)

-        Attempted to reconcile Relativity Theory with Quantum Theory (concerned with the behaviour of atomic and sub-atomic matter):

‘A unified relativistic quantum theory is needed to describe subatomic particles moving at near the speed of light, such as occurs as a result of energetic radioactive emissions.’ (p. 27)

-        Its successful explanation of the behaviour of ordinary electrons implied the existence of ‘antielectrons’ – identical to electrons in mass and spin, but carrying a positive (not a negative) charge and reverse spin, i.e. a mirror image of electrons.

-        Dirac predicted that if enough energy could be concentrated, it would create an ‘antielectron’ where none existed before; and that it would be accompanied by an electron, so that electrical charge would be ‘conserved’ (sic). Thus, energy would create matter in the form of an electron-antielectron pair.

·         Creating matter in/through the ‘big bang’

-        Anderson’s and Dirac’s work suggested a natural (not ‘supernatural’) explanation of the origin of all matter: in the big bang, huge amounts of energy caused the incoherent production of vast amounts of matter and anti-matter which, when cooled sufficiently, cohered into stars and planets; and the universe should be a fifty-fifty mix of matter and anti-matter. BUT …

-        Observations disprove the expectations of a 50-50 mix; and anyway, only a trifling amount of anti-matter can exist in the universe without it exploding, because matter and anti-matter annihilate each other with a violent release of energy (the reverse of matter-creation). However …

-        While in the laboratory the creation of matter and antimatter is a symmetrical process, the conditions of the ‘big bang’ were so extreme that a slight excess of matter was created. The current levels of background cosmic radiation match very closely the level predicted by this explanation (and, therefore, we can extrapolate the temperatures of the moments in the ‘big bang’ when this excess of matter was created).

-        The processes described here do not represent the creation of matter out of nothing, but the conversion of pre-existing energy into matter. But whence the energy?

 

 

 

Lockdown reading 2021

 

READING: JANUARY 2021 -

 

Brownsword, P.J. (2020) Bluebottle Goes to War: Peter Sellers and the RAF Gang Shows.           London: Uniform (Unicorn Publishing Group)

            Records Sellers's time as a drummer and impressionist in Gang Show #10 between           1943 and 1946, including touring the Indian sub-continent.

 

Coelho, P. (2007) The Witch of Portobello. London: Harper Collins

            Like his The Alchemist (1988), this describes an individual's (Athena) mystical      (mythical?) quest to find the Soul of the world. It's a series of anecdotes by people who knew her; initially apparently random, eventually they form a narrative.

 

Connolly, B. (2019) Tall Tales & Wee Stories. London: Two Roads (Hachette)

            A low-octane version of his stage shows.

 

Cracknell, R. (1997) A biased memoir. Ringwood, Vic.: Viking (Penguin)

            Traces her rise through the theatre in Australia, thence to the UK, then back to       Australia. Not very well written and more a collection of theatre reviews and     anecdotes than a memoir - e.g., we    learn nothing of her husband and three children.

 

Crowe, D. (2019) Venom. Sydney: Harper Collins.

            Scott Morrison's replacement of Malcolm Turnbull as PM and the events leading up         to it.

 

Evans, G. (2014) Inside the Hawke-Heating government: a cabinet diary. Melbourne:      Melbourne University Press.

            Only the Hawke government and only GE's time as Resources Minister. Admires Crossman's diaries (should have read Benn's); too much time on Lionel Murphy.

 

Greenwood, K. (2021) The lady with the gun asks the questions. Crows Nest, NSW: Allen &       Unwin. (Original 2007: A question of death. Allen & Unwin)

            A collection of Phryne Fisher short stories. The early stories are delightful but the             later ones become increasingly silly and superficial, which is a shame.

 

Haig, M. (2020) The Midnight Library. Edinburgh: Canongate Books.

            Trying to kill herself, Nora Seed finds herself in a multiverse. This enables her to live       many lives, each one addressing a regret in the one she just left. Thus, the book is a collection of short stories starring Nora, until she realises that the best life is the one         that she has and to which she returns, bringing herself back from the brink.

 

Johnston, D.

            (2017) The Swan Island Connection. Sydney: For Pity Sake Publishing.

A 'sea change' novel, set in Queenscliff. Investigating the murder of a small boy, Sergeant Chris Blackie makes the connection to cocaine dealing at Swan Island. More substantial than Camel's Eye, but too complicated - needs editing.

            (2016) Through a Camel's Eye. Sydney: For Pity Sake Publishing.

A 'sea change' novel, set in Queenscliff. Recently graduated constable Anthea Merritt hunts for a stolen camel, uncovers a murder and gets used to small town life.

 

Kelly, P. (2014) Triumph & Demise: the broken promise of a labour generation. Melbourne:       Melbourne University Press. (Updated edition.)

            Describes/analyses the Rudd-Gillard-Rudd governments and the start of the Abbott           government. Beneath his veneer of statesman-like objectivity, he is essentially anti- Labor, When he (even-handedly) criticises the Liberals, it is only their mistakes or            misjudgements, whereas he criticises Labor's whole outlook.

 

O'Connor, H. (2019) Ian McKellen: the biography. London: Weidenfeld & Nicolson.

            Traces his rise through the UK theatre, thence to Hollywood. More a collection of             theatre reviews and anecdotes than a narrative.

 

Owens, D. (2019) Where the Crawdads Sing. Corsair. (Orig. 2018, G. P. Putnam's Sons)

            Abandon as a child in the marshes of North Carolina, Kya becomes an acclaimed biologist. Her childhood sweetheart - Tate - abandons her for his career, then playboy          Chase abandons her, then tries to rape her. Acquitted of Chase's murder, Kya reunites       with Tate. On her death, he finds evidence that she killed Chase.

 

Paretsky, S.

            2012 Breakdown. London: Hodder & Stoughton.

At an initiation ceremony for a Carmilla club, a group of girls discover a murdered man. V. I.'s investigation involves her in a media campaign against a Senate candidate and suspicion about one of the world's wealthiest men.

            2003 Blacklist. London: Penguin Books.

Investigating unexplained lights in an empty mansion, V. I. finds a dead journalist in its pond. Investigating his death exposes a web of deceit going back to the McCarthy years ... and an Arab boy suspected of terrorism.

            1995 Windy City Blues. New York: Dell Publishing.

A collection of V. I. short stories. Each one captures the essence of the full-length novels.

            1990 Toxic Shock. London: Penguin Books. (Orig. 1988 Blood Shot. New York:

            Delacorte Press.)

After meeting a childhood friend, V. I. gets caught up in a major cover-up around a chemicals plant in south Chicago and almost loses her life.

            1987 Bitter Medicine. New York: Dell.

A death-in-labour embroils V. I. in a mesh of Chicago gang killings on the one hand and embezzlement at a private hospital on the other.

            1987 Killing Orders. London: Penguin Books. (Orig. 1985 New York: William

            Morrow & Co. Inc.)

Investigating a priory's missing share certificates, V.I. discovers embezzlement by senior clerics.

            1987 Indemnity Only. London: Penguin Books. (Orig. 1982 Victor Gollancz.)

 

            1987 Deadlock. London: Penguin. (Orig. 1984 Victor Gollancz.)

V. I. suspects that the death of her cousin Boom Boom wasn't accidental. Her investigation reveals deadly competition between Great Lakes shipping firms.

            1998 Burn Marks. London: Virago Press. (Orig. 1990 Chatto & Windus.)

V. I.'s investigation of her importunate aunt's hostel fire uncovers a complex web of collusion between local politicians and construction companies.

            1999 Hard Time. London: Penguin.

V. I. finds a woman lying on the street at night. Her investigation brings her up against corrupt police, Global Entertainment and the Carnifice security firm and includes time spent (involuntarily) in a privately-run women's prison.

            2005 Fire sale. London: Hodder & Stoughton.

As a favour, V. I. coaches a basketball team in South Chicago - her old home. Investigating sabotage - and, eventually arson - at a flag-making factory, she takes on the Bysen family's massive By-Smart chain.

 

Rendell, R.

            1972 Murder Being Once Done. London: Hutchinson & Co.

Convalescing with relatives in London, Wexford investigates the murder of an unknown girl in a cemetery.

            1971 No More Dying Then. London: Hutchinson & Co.

Mourning his wife, Burden falls passionately for Gemma, mother of missing young boy John. Meanwhile, police find the body of a girl missing for years.

            1970 A Guilty Thing Surprised. London: Hutchinson & Co.

Someone blackmailed Elizabeth Nightingale about her incestuous relationship with her brother Dennis Villers; Villiers's wife kills Elizabeth in the forest with her own torch.

 

 

Lockdown reading 2020

 

LOCKDOWN READING 2020

March - December

 

Brooker, W. (2019) Why Bowie Matters. London: William Colins.

            Brooker reflects on his sexuality through post-structuralist commentary on Bowie.

 

Brown, C. (2020) One, Two, Three, Four: the Beatles in time. London: 4th Estate (Harper-           Collins)

            A (non-chronological) biography/history of the Beatles, drawing on its predecessors.

 

Cairns, Warwick (2008) About the size of it: the common sense approach to measuring     things. London: Pan Books. (Original 2007, Macmillan)

            How common sense measures often prevail against 'rational' official approaches.

 

George, Elizabeth

            1989 Payment in Blood. London: Bantam Press.

                        Murder among a theatre group in a Scottish mansion.

            1990 Well-Schooled in Murder. London: Bantam Press.

                        A small boy's death at boarding school reveals a cover-up culture.

            1991 A Suitable Vengeance. London: Bantam Press.

                        Visiting Cornwall, Lynley finds murder, drugs, transvestitism & family drama.

            1992 For the Sake of Elena. London: Bantam Press.

                        A deaf student at Cambridge is murdered on her regular run.

            1996 In the Presence of the Enemy. London: Bantam Press.

                        A Home Office minister, a leftie journalist and an illegitimate child.

            1997 Deception on His Mind. London: Hodder & Stoughton.

                        Murder in a seaside Pakistani community.

            1999 In Pursuit of the Proper Sinner. London: Hodder & Stoughton.

                        Two bodies in a stone circle lead to music copyright and prostitution.

            2001 A Traitor to Memory. London: Bantam Press.

                        A child prodigy with stage fright tells a psychiatrist about his sister's death.

            2011 This Body of Death. London: Hodder & Staughton.

                        A body in a cemetery leads Lynley on a tortuous path to a child killer.

            2012 Believing the Lie. New York: Signet. (Part of Penguin USA) (Orig. Dutton)

                        Was Ian Cresswell's death in the boathouse on Windermere really an accident?

 

Grisham, John (1999) The Testament. USA: Doubleday.

            Washed-up lawyer paid to find the illegitimate daughter of a billionaire, now living as      a reclusive female missionary in Brazil, to tell her that she's inherited $7bn.

 

James, P.D. (Faber & Faber - part of Penguin Books?)

            1962 Cover Her Face. London: Faber & Faber.

                        A parlour maid newly-engaged to a privileged son is murdered.

            1967 Unnatural Causes. London: Faber & Faber.

                        A handless corpse is found drifting in a boat off the Suffolk coast.

            1972 An Unsuitable Job for a Woman. London: Faber & Faber.

                        Cordelia Grey's first case is the apparent suicide of a Cambridge student.

            1980 Innocent Blood. London: Faber & Faber.

                        Adoptee Phillippa Palfrey traces her birth parents, then lives with her mother.

 

            1982 The Skull Beneath the Skin. London: Faber & Faber.

                        Cordelia Grey is hired to protect famous-but-fading actress Clarissa Lisle.

            1986 A Taste for Death. London: Faber & Faber.

                        The bodies of a lord and a tramp are found in a canal-side church.

            1989 Devices and Desires. Vintage Books (Random House)

                        Murder near a nuclear power station on the (East Anglia?) coast.

            1992 The Children of Men. London: Faber & Faber.

                        Infertility is endemic and humanity faces extinction. Then, a great discovery!

            1997 A Certain Justice. London: Faber & Faber.

                        Murder at Middle Temple chambers.

            2001 Death in Holy Orders. London: Faber & Faber.

                        Death at an isolated theological college on the East Anglia coast.

            2003 The Murder Room. London: Faber & Faber.

                        A series of murders in a private museum in Hampstead.

            2005 The Lighthouse. London: Faber & Faber.

                        A visitor to a private Cornish island is found hanging from the lighthouse.

            2008 The Private Patient. London: Faber & Faber.

                        A notorious journalist is murdered at a private 'cosmetic surgery' clinic.

 

London, Joan (2008) The Good Parents. North Sydney: Vintage.

            An eighteen-year-old girl from Western Victoria moves to Melbourne and has an affair with her enigmatic boss. Her parents arrive, but no one knows where she is.

 

McCall Smith, A. (2007) Love over Scotland. London: Abacus. (Orig. 2006)

            2nd in his "44 Scotland Street" series. Bertie goes to Paris, Domenica to Malacca and         recent millionaire Matthew to a Glasgow hard man about cafe-owner Big Lou.

 

Rendell, Ruth. (Arrow Books is owned by Random House)

            1979 From Doon with Death. London: Arrow Books. (Orig. 1964, John Long)

                        A dull, ordinary women, Margaret Parsons meets an extraordinary death.

            1981 A New Lease of Death. London: Arrow Books. (Orig. 1969 Hutchinson)

                        Painter was hanged, but a man and his father (a vicar) want the case reopened.

            1981 The Best Man to Die. London: Arrow Books. (Orig. 1969 Hutchinson)

                        Cocky lorry driver Charlie Hatton was murdered - or was he?

            1988 The Veiled One. London: Arrow Books.

                        A woman is garrotted in a subterranean car park; Wexford's house is bombed.

            1993 Kissing the Gunner's Daughter. London: Arrow Books.

                        Is a massacre at Tancred House linked to earlier shooting of a police officer?

            1997 Road Rage. London: Hutchinson.

                        A planned bypass will destroy local habitat and a protest group takes hostages.

            1999 Harm Done. London: Hutchinson.

                        A series of missing women coincides with the release of a local paedophile.

            1999 A Sight for Sore Eyes. London: Arrow Books. (Original: 1998, Hutchinson)

                        Teddy's & Francine's childhoods bring them together, then break them apart.

            2001 Piranha to Scurfy and other stories. London: Arrow Books.

                        (Short stories.)

            2002 The Babes in the Wood. London: Hutchinson.

                        During unprecedented floods, two teenagers and their 'sitter' go missing.

            2003 The Rottweiler. London: Hutchinson.

                        A series of murders gradually involve antique shop-owner Inez Ferry.

            2004 Thirteen Steps Down. London: Hutchinson.

                        Max is obsessed with murderer John Christie and eventually he, too, murders.

            2008 Portobello. London: Hutchinson.

                        Art dealer finds some money, is blackmailed and becomes addicted to a sweet.

 

Roach, A. (2019) Tell Me Why: the story of my life and my music. Cammeray: Simon & Schuster.

            Archie Roach was taken away from his family as a young child, became an alcoholic        drifter in his teens (always finding and staying with 'the local mob'), found love and lost it with Ruby Hunter and became a major music star.

 

 

Etta James and Tampa Red


 

Bukka White and Bonnie Raitt


 

Koko Taylor and Jimmy Reed

 


Victoria Spivey and Sonny Terry


 

Arthur Crudup and Jimmy Witherspoon


 

Blind Lemon Jefferson and Champion Jack Dupree


 

Skip James and Elizabeth Cotten


 

Ruth Brown and Elmore James


 

Huddie 'Lead Belly' Ledbetter and Willie Mae 'Big Mama' Thornton